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elsebau2

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  1. style="font-size: 12px; font-weight: bold; text-decoration: none;"style="font-size: 12px; font-weight: bold; text-decoration: none;"style="font-size: 12px; font-weight: bold; text-decoration: none;"style="font-size: 12px; font-weight: bold; text-decoration: none;"style="font-size: 12px; font-weight: bold; text-decoration: none;"style="font-size: 12px; font-weight: bold; text-decoration: none;"style="font-size: 12px; font-weight: bold; text-decoration: none;" The Edge: We're sort of spoiled for choice right now, because there's a bunch of amazing pieces that we didn't finish from the work we did in Fez, and there's the songs we started with Rick Rubin, some of which are amazing songs that I'd love to get back to at some point. Bono and I also have this Spider-Man [musical] project, which we're very happy about. So there are a lot of things on the stove, and they're all very exciting. Now that this tour is kind of up and running, I'm really looking forward to getting into those projects, doing some listening back, seeing where they're all at, seeing which one is probably set to go first. The one thing is we'd love to follow this album up sooner rather than later — I don't think we'll have over three years or whatever it was between the last two records. It's hard to say [about a U2 Spider-Man album]. There will be a Spider-Man album, but whether it's us or the cast, that's the sort of thing we're not sure about. There are some amazing tunes. Larry Mullen: I definitely think we should do something good as soon as we possibly can, as opposed to quickly. I'm feeling that it's the unfinished songs from this record that we should be concentrating on. I think there's a part two of this record. That would be my instinct, would be to complete this. I think there is slower, meditative stuff on there, but I think there are other things, as well, and I don't think it will end up being that kind of record. I think it will end up being a mixture of a few different things. I would like to think that we would have a song that would end up on the radio. Rolling Stone: Did you reconvene with Brian Eno to do any recording? Larry Mullen: We've talked about it, and how we would do it. I think he went into the studio to have a listen to some things. We will get back together with him. RS: Over the break between this year and next? Larry Mullen: Absolutely, yeah. I'd also like to get back to the [Rick Rubin] sessions. I think there's some really good stuff there. Bono: We certainly don't want to go away for a few years. [The next] album is called Songs of Ascent, and it's a very clear idea. If we're going to do another rock record, I want to do Spider-Man. I just haven't talked Adam and Larry into that. I would like to have one of our songs on the pop charts. It's my only disappointment [with No Line on the Horizon] People love, love the album it's had rave reviews, not just in the U.S., but all over the world. But I would like a few pop songs on it. So I would like, even on Songs of Ascent, songs that have a shot at that. I would like to come back with a new single in the spring — "Every Breaking Wave" was Jimmy Iovine's favorite song, and lots of people got upset when we took that off.
  2. Yamaha Beech Custom Absolute Acoustic Drums: White Mica (finish) WSD-0107 14"x7" Snare Drum WBD-1024 24"x16" Bass Drum WTT-1014J 14"x10" Tom WTT-1016 16"x14" Tom (to the left of his hi-hat) WFT-1016 16"x16" Floor Tom WFT-1018 18"x 16" Floor Tom Hardware: CS-940 Cymbal Stand (4x) CS-945 Cymbal Stand (3x) DFP-8210 Double Foot Pedal DS-940 Drum Stool FP-8210 Foot Pedal HS-950 Hi-hat Stand SS-940 Snare Drum Stand Brady Custom Drums 12" x 7" Brady Custom Snare NOTES: While the Yamaha website lists a Yamaha snare drum, Larry does use the Brady 14 x 8 Sheoak Block for the VERTIGO tour. Also, while the Yamaha site lists Larry as playing Yamaha drums "since 1977", he did play Tama FiberStar drums during the "Boy" and "October" era's - and a Premier Olympic Kit before that. Yamaha Beech Custom Absolute characteristics Beech has the attack and presence of maple and the bottom-end punch of birch. Beech Custom Absolute has the best of both worlds and is the most versatile woods available.
  3. Yamaha 9000 (Black, 24"bass, 18"+16"+14" toms, 14"x6" snare) / 1983-1985
  4. Premier Olympic (Red) / 1976-1980 Larry Mullen is an instinctive battery which, like the rest of U2, playing with naturalness, straight from the heart. Larry has never been filled with the songs of U2 complex drum parts, has always understood the importance of breaks-laden drama. CuandoU2 got its deserved recognition in the'80s, Larry already had a mature style that contradicted] on his youth. Grown in Dublin, the capital of Ireland, Larry started playing the piano, but soon switched to drums at age 9 years. From the beginning I wanted to play in their own way not being very enthusiastic and learning techniques. While attended Mount Temple Comprehensive School in Dublin, Larry put a note on the bulletin board with "seek musicians, this was the beginning of U2. He was only 15 years and had to spend most of their salary from the work of short grass compared to the first battery.
  5. หากต้องการสิ่งที่ใหญ่โตเหลือเกิน 360
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